Sports Events
Competition, training and the moments around them. We stay close to the action and capture both performance and atmosphere.
The brief
You have to know where to stand before it happens.
Anticipation is the craft. Knowing which side the winger cuts to, where the bench erupts, when a coach turns away — that decides the picture, not the shutter speed.
We read the sport before we shoot it, work within accreditation rules, and get a first set out while the result is still trending. Over a season the whole archive stays one consistent body of work.
Selected work
Events we shot
Long lens on the field, wide lens on the stands. Both matter.
Possible deliverables
Built for a comms team working against the clock.
01
Live set at half time
A first edited set uploaded during the break, so your channels are not waiting for the final whistle.
02
Full match gallery
Action, bench, staff, stands, and the goal from more than one angle.
03
Player coverage
A usable frame of each player who was on the pitch, as far as the game allows — the set your social team needs for line-ups, transfers and birthdays.
04
Vertical crops
9:16 versions cut by hand for stories and reels, with space left at the top for your graphics layer.
05
One look all season
The same grade from August to May, home and away, floodlight and afternoon sun. A season that looks like one archive.
What a match day or a season includes is agreed beforehand and written into the offer.
On match day
How a match day runs
−120 min
Arrival
Accreditation, positions agreed with the ground staff, empty stadium while the light is still clean.
−40 min
Warm-up
Line-ups, tunnel, the sponsor boards that have to be in frame. Fans arriving.
Half time
First upload
Edited on the spot from the pitchside seat and pushed to your team inside the break.
2nd half
Side change
New position for the other goal, plus the bench and the coach when the game turns.
Full time
After
Celebration or the long walk off, interviews, then the full gallery overnight.
Example scopes
Clubs, federations and editorial desks usually start in one of these three shapes.
Single fixture
One match day
One photographer, full match coverage, live set at half time. The straightforward way to test how we work.
Possible elements:
- Live half-time set
- Full match gallery
- Vertical crops
Season
Season agreement
An agreed set of home games plus selected away days and training. Same look across the season, priority dates.
Possible elements:
- Match-day coverage
- One look across the season
- Archive handover
Multi-day
Tournament or camp
Both of us travelling with the squad, with material going out during the trip.
Possible elements:
- Coverage across the days
- Delivery during the trip
- Portraits and behind the scenes
Before we start
We apply ourselves when the competition allows it. When you are the host club it is faster if you register us — send the form and we handle the rest.
Football, handball, rowing, cycling and motorsport most often. For a sport we have not shot before we watch a full match first and tell you honestly whether we are the right team.
Yes. Own channels and press distribution are normally part of the agreement, with credit. Sponsor and third-party licensing is written in as well, so nobody has to ask afterwards.
Amateur grounds are the real test, not the arenas. Fast glass, sensible ISO limits and a grade built for that specific stadium — we would rather have grain than a frozen, colourless frame.
Send the fixture list. We will be there early.
Tell us which competition and roughly how many match days. We will come back with a clear approach and a realistic scope.
❯❯ Get in touch ❮❮Or write directly — team@vznbrothers.com